Showing posts with label events in bangalore. Show all posts
Showing posts with label events in bangalore. Show all posts
Tuesday, 20 May 2014
Monday, 15 April 2013
Friday, 11 January 2013
Monday, 10 December 2012
What Is exhibition Design
Show designed to showcase the design of the subject matter, the broader
is described, displayed with light is indirectly subject matter, to
express a the show objects protagonist a design. In other words, the
subject matter has a supporting role character display design. Display
design from the scope can be as large Fairgrounds, museums, art
galleries, to shopping malls, stores, temporary celebration venue to
showcase and display counter (sample cabinet), but are based on
convincing display as the main concept.
Show the contents of the design process, the main show was planning to show the development of the theme show with lights, indicating respect, including the collection of standard instructions and ancillary space (such as a large exhibition space, disinfection, toilet, tea space, rest, and so on). From a certain perspective, exhibition design is an emerging industry, the larger scale and more fixity display design shall vest in the architectural design, the smaller display design attributable to interior design, attributable to the temporary exhibition design Arts and Crafts or interior design. So what factors make from the large to the fairgrounds, museums, art galleries, in shopping malls, stores, temporary celebration venue, small windows and showcase counter (the sample cabinet) will re-designed to showcase the industry to understand it? This is due to the first aspect, may be to demonstrate the main concepts of the foregoing; may be the second aspect is the Business Expo or exhibition of a short period of time, the beginning of the twentieth century the rise in the late nineteenth century; third aspect, World War II After large-scale stores or shopping malls due to the exquisite, specialization, etc.. Therefore, the development of display design showcase content planning, displays often positioned informative, trafficking, celebration, recreation, entertainment, educational, etc. quintiles. The ability to display design: the ability to sell items or the concept of Investigation and Planning, the ability of the three-dimensional shape (aesthetics, building materials and construction), lighting and temporary electrical and mechanical equipment knowledge, attract a crowd arrangements for capacity crowds moving lines.
Wednesday, 28 November 2012
Wednesday, 24 October 2012
Tuesday, 4 September 2012
Thursday, 23 August 2012
It's SHOW TIME
Solor-con Design for lubi electronics
WE are all ready for the solor-con bangalore ,here is our design which is going to execute
Sunday, 19 August 2012
pixalmate-poultry-india-2012,-hydrabad
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| Poultry india 2012 emailer |
WEBSITE - www.pixalmate.com Email- info@pixalmate.com
E-mailer-pixalmate-poultry-india-2012,-hydrabad, exhibition design and fabrication unit
natural remedies stall design elanco stall design for poultry India 2012.
info@pixalmate.com
call-7676699044
Sunday, 20 May 2012
Sunday, 13 May 2012
HAVE SOME EXHIBITION TIPS
Tips on exhibition layout and design
The ARTWORK is most important. We want the artwork to look good and we want the
viewing public to experience it in a meaningful way.
Simple is often best!
So, to create a successful exhibition we need to consider a number of factors:
1. LOGIC
A good exhibition design seems obvious and we understand that there is a reason for
the placement or groupings of the artwork. Some examples of logical exhibition layouts
are:
Chronological –artwork displayed according to WHEN it was made. (Usually in
retrospective exhibitions)
Like With Like – artworks are placed together because they share things in common
e.g.
• Medium - photos with photos, prints with prints etc
• Treatment - expressive, gestural paintings might go together
• Scale – artwork of similar size could be placed together
• Colour – monochromatic art works could possibly go together
• Genre – landscapes with landscapes etc
• Theme – artworks share ideas or style e.g. pacific art, pop art, kiwiana etc
When you think you have an idea how to group the artworks you then need to consider
the space you have to work with…
2. USE OF THE SPACE
Where are the best spaces?
Are there dark areas or dead zones where people won’t go?
Do some walls seem better suited than others to the display of certain artworks? E.g.
Small wall spaces work well with small-scale artwork and large walls cope with large
artworks or a series of work.
3. LIGHTING
What are your lighting sources? E.g. Natural daylight, spotlights, fluorescent tubes,
reflected ambient light
What is the quality of the light? Warm or Cool?
Can you direct it or modify it?
Is it adequate or do you need more light?
4. FLOW
Where is the entry point? (Stairs, elevator). People usually (although not always) move
in a clockwise direction from the point of entry. You will most likely place exhibition
information such as title, artist name and explanatory text near the entrance for people
to read first as they arrive.
What is the first wall they see as they enter the room? This is a feature wall and you
want to put strong work here.
It makes sense to display a sequence of images from left to right
5. LAYOUT
Place the artwork on the floor in front of the wall where they are to hang. This helps you
to visualise how the exhibition will look.
Move things around; try out different groupings and positions.
You may need to edit (take away) works if there is too much and it looks ‘busy’.
If the number of artworks is overwhelming you can try to place them into sets or
clusters. Your eye reads this set of individual artworks as ONE group.
So… 12 paintings in a row looks like more artwork than 3 grids made up of 4 paintings
in each.
6. PLACEMENT
Think of your audience. Artwork needs to be displayed at a consistent and comfortable
height
Adults eye level = 150 cm
Children’s eye level = 120 cm (approx.)
You should hang work so that the middle is at eye level.
Sculptures may need to stand on plinths or platforms to raise them off the ground so
that they can be seen at a comfortable height.
7. SPACE
Try to keep the space between artworks consistent. If some artworks are placed close
together people will think that they are a pair. This may be the case and spacing gives
the viewer a clue as to how to read the artwork.
To measure spaces accurately:
1. Measure the wall
2. Add up the total of width measurements of the artwork
3. Subtract the total art measurement from the wall measurement. What
you have left is your space measurement.
4. Divide the space measurement by the number of spaces you require
(always one more space than the number of artworks)
N.b. To make it EASY: consider groups or grids of artworks as ONE artwork.
The ARTWORK is most important. We want the artwork to look good and we want the
viewing public to experience it in a meaningful way.
Simple is often best!
So, to create a successful exhibition we need to consider a number of factors:
1. LOGIC
A good exhibition design seems obvious and we understand that there is a reason for
the placement or groupings of the artwork. Some examples of logical exhibition layouts
are:
Chronological –artwork displayed according to WHEN it was made. (Usually in
retrospective exhibitions)
Like With Like – artworks are placed together because they share things in common
e.g.
• Medium - photos with photos, prints with prints etc
• Treatment - expressive, gestural paintings might go together
• Scale – artwork of similar size could be placed together
• Colour – monochromatic art works could possibly go together
• Genre – landscapes with landscapes etc
• Theme – artworks share ideas or style e.g. pacific art, pop art, kiwiana etc
When you think you have an idea how to group the artworks you then need to consider
the space you have to work with…
2. USE OF THE SPACE
Where are the best spaces?
Are there dark areas or dead zones where people won’t go?
Do some walls seem better suited than others to the display of certain artworks? E.g.
Small wall spaces work well with small-scale artwork and large walls cope with large
artworks or a series of work.
3. LIGHTING
What are your lighting sources? E.g. Natural daylight, spotlights, fluorescent tubes,
reflected ambient light
What is the quality of the light? Warm or Cool?
Can you direct it or modify it?
Is it adequate or do you need more light?
4. FLOW
Where is the entry point? (Stairs, elevator). People usually (although not always) move
in a clockwise direction from the point of entry. You will most likely place exhibition
information such as title, artist name and explanatory text near the entrance for people
to read first as they arrive.
What is the first wall they see as they enter the room? This is a feature wall and you
want to put strong work here.
It makes sense to display a sequence of images from left to right
5. LAYOUT
Place the artwork on the floor in front of the wall where they are to hang. This helps you
to visualise how the exhibition will look.
Move things around; try out different groupings and positions.
You may need to edit (take away) works if there is too much and it looks ‘busy’.
If the number of artworks is overwhelming you can try to place them into sets or
clusters. Your eye reads this set of individual artworks as ONE group.
So… 12 paintings in a row looks like more artwork than 3 grids made up of 4 paintings
in each.
6. PLACEMENT
Think of your audience. Artwork needs to be displayed at a consistent and comfortable
height
Adults eye level = 150 cm
Children’s eye level = 120 cm (approx.)
You should hang work so that the middle is at eye level.
Sculptures may need to stand on plinths or platforms to raise them off the ground so
that they can be seen at a comfortable height.
7. SPACE
Try to keep the space between artworks consistent. If some artworks are placed close
together people will think that they are a pair. This may be the case and spacing gives
the viewer a clue as to how to read the artwork.
To measure spaces accurately:
1. Measure the wall
2. Add up the total of width measurements of the artwork
3. Subtract the total art measurement from the wall measurement. What
you have left is your space measurement.
4. Divide the space measurement by the number of spaces you require
(always one more space than the number of artworks)
N.b. To make it EASY: consider groups or grids of artworks as ONE artwork.
Wednesday, 18 April 2012
piaxalmate design a stall for pacific stones
stall design for stona exhibitions 2012 banglore
Mall
promotion, mall activity in Bangalore , retails solutions, Events in
bangalore,Store Designs pixalmate going for acmee 2012 in june we are a
fabricater and world class stall design company based in bangalore
. stall designer in low budget Pixalmate for exhibtion in india and bangalore and event in bangalore Auto expo delhi, bangalore,stona bangalore. call for exhibition- 7676699044
Thursday, 5 April 2012
pixalmate design for autoexpo 2010 delhi
This is a master piece work from design team pixalmate.
much appropriate from client.
Mall promotion, mall activity in Bangalore , retails solutions, Events in bangalore,Store Designs pixalmate going for acmee 2012 in june we are a fabricater and world class stall design company based in bangalore . stall designer in low budget Pixalmate for exhibtion in india and bangalore and event in bangalore Auto expo delhi, bangalore,
Biorad stall In usicon
PIXALMATE did a very good work for BIORAD for their their usicon exhibition.
and that stall is much appreciated by client also.Have a look our biorad stall
Exhibition, conference, stage show, fabrication, Bangalore area , mall promotion, mall activity in Bangalore , retails solutions, Events in bangalore,
all india exhibition design,bangalore exhibition,
Bangalore,brand campaigns,store design,
Store Designs
Pixalmate for exhibtion in india and bangalore and event in bangalore
PIXAL MATE SERVICES IN BANGALORE
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